{"id":434,"date":"2022-11-19T09:55:40","date_gmt":"2022-11-19T09:55:40","guid":{"rendered":"https:\/\/www.renaissancebridge.com\/un-ingegno-allopera-rapporto-tra-teoria-e-pratica\/"},"modified":"2022-12-14T13:55:26","modified_gmt":"2022-12-14T13:55:26","slug":"un-ingegno-allopera-rapporto-tra-teoria-e-pratica","status":"publish","type":"page","link":"https:\/\/www.renaissancebridge.com\/cs\/un-ingegno-allopera-rapporto-tra-teoria-e-pratica\/","title":{"rendered":"Un ingegno all\u2019opera. Rapporto tra teoria e pratica"},"content":{"rendered":"

[et_pb_section fb_built=“1″ admin_label=“Header“ _builder_version=“4.18.0″ background_color=“gcid-e6f76045-68bd-4f05-b97b-aaccfb770e62″ custom_padding=“50px||50px||true|false“ locked=“off“ global_colors_info=“{%22gcid-e6f76045-68bd-4f05-b97b-aaccfb770e62%22:%91%22background_color%22%93}“][et_pb_row _builder_version=“4.16″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ header_font=“Neo sans||||||||“ header_text_color=“#FFFFFF“ header_font_size=“60px“ custom_margin=“||0px||false|false“ custom_padding=“||0px||false|false“ header_font_size_tablet=“50px“ header_font_size_phone=“40px“ header_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Inteligentnos\u0165 v diele<\/h1>\n

[\/et_pb_text][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_3_font=“|700|||||||“ header_3_text_color=“#FFFFFF“ header_3_line_height=“1.5em“ custom_margin=“10px||||false|false“ text_line_height_tablet=““ text_line_height_phone=“1.6em“ text_line_height_last_edited=“on|phone“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Vz\u0165ah medzi te\u00f3riou a praxou<\/strong><\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“About“ _builder_version=“4.18.0″ custom_padding=“40px||40px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_row _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

V\u010faka svojej inteligencii a \u013eudsk\u00e9mu uvedomeniu sa renesan\u010dn\u00fd \u010dlovek objavuje ako hlavn\u00fd hrdina a z\u00e1stanca dovtedy nev\u00eddan\u00fdch diel. \u0160tudujte harm\u00f3niu reality a vracia nie\u010do ve\u013ekolep\u00e9, nie\u010do schopn\u00e9 dotkn\u00fa\u0165 sa neba. Vytv\u00e1ra sa ve\u013emi siln\u00e9 spojenie medzi malos\u0165ou \u010dloveka a nesmiernos\u0165ou, ktorej je schopn\u00fd da\u0165 \u017eivot: h\u013ead\u00e1 inov\u00e1ciu v sebe a t\u00fa potom odovzd\u00e1va svetu a ostatn\u00fdm.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Brunelleschiho Perspekt\u00edvne Tabulky<\/strong> Brunelleschi vyvinul syst\u00e9m, ktor\u00fd umo\u017e\u0148uje merate\u013ene obnovi\u0165 h\u013abku aj proporcie post\u00e1v, ktor\u00e9 pozoruje.<\/p>\n

\u201eVyn\u00e1jde\u201c teda princ\u00edp perspekt\u00edvy, ktor\u00fd nesk\u00f4r odhal\u00ed teoretick\u00e1 \u0161t\u00fadia Leona Battistu Albertiho.<\/p>\n

Perspekt\u00edva bola intuit\u00edvna u\u017e v klasickej \u00e9re a sk\u00faman\u00e1 v obrazovom poli Giottom: Brunelleschi ju sk\u00fama do h\u013abky a vysvet\u013euje ju z vedeck\u00e9ho h\u013eadiska. V\u00fdsledky \u0161t\u00fadi\u00ed, ktor\u00e9 vykonal, pozn\u00e1me v\u010faka dvom straten\u00fdm tabu\u013ek\u00e1m, ktor\u00e9 m\u00f4\u017eeme presk\u00fama\u0165 pomocou rekon\u0161truk\u010dn\u00fdch sch\u00e9m: Na \u0161tvorcovej doske (so stranou asi 30 cm) zn\u00e1zornil Baptist\u00e9rium San Giovanni a aby dok\u00e1zal, \u017ee obraz sa zhodoval so skuto\u010dn\u00fdm zn\u00e1zornen\u00edm urobil dieru, cez ktor\u00fa oko pozorovate\u013ea dok\u00e1zalo vidie\u0165 skuto\u010dn\u00e9 dielo.<\/p>\n

Pomocou zrkadla, pozoruj\u00fac odrazen\u00fd obraz, videl jeho dokonal\u00fa zhodu so skuto\u010dnos\u0165ou.<\/p>\n

Pravdepodobnos\u0165 bola zd\u00f4raznen\u00e1 efektom vytvoren\u00fdm striebornou do\u0161ti\u010dkou, ktor\u00e1 pokryla oblas\u0165 oblohy na obraze, aby sa z\u00edskal odrazen\u00fd obraz skuto\u010dnej oblohy a zv\u00fdraznil tak iluzionistick\u00fd efekt.<\/p>\n

Brunelleschi tak vytu\u0161il, \u017ee na hodnovern\u00e9 zn\u00e1zornenie re\u00e1lneho priestoru je potrebn\u00e9 zobra\u0165 do \u00favahy uhol poh\u013eadu a z\u00e1rove\u0148 aj \u00fabe\u017en\u00edk.<\/p>\n

Ortogon\u00e1lne l\u00ednie kompoz\u00edcie sa smerom k tomuto bodu zbiehali a mali by\u0165 pre maliara vod\u00edtkom pri zobrazovan\u00ed prvkov a ich zmen\u0161ovan\u00ed, ke\u010f sa vz\u010fa\u013eovali od oka pozorovate\u013ea.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Brunelleschi-esperimentoprospettiva-2.jpg“ title_text=“Brunelleschi esperimentoprospettiva 2″ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Firenze-Battistero-07-bis.jpg“ title_text=“Firenze Battistero 07 bis“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Brunelleschi-esperimentoprospettiva.jpg“ title_text=“Brunelleschi esperimentoprospettiva“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Mission“ _builder_version=“4.18.0″ background_color=“#f7f7f7″ custom_padding=“40px||||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Firenze-S.Maria-del-Fiore-04-bis.jpg“ title_text=“Firenze S.Maria del Fiore 04 bis“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Firenze-scorcio-08-bis.jpg“ title_text=“Firenze scorcio 08 bis“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Brunelleschiho kupola \u201cSanta Maria Del Fiore\u201d<\/strong> je v\u00fdznamn\u00fdm symbolom Florencie.<\/p>\n

T\u00e1to kupola steles\u0148uje rie\u0161enia a u\u010denia, ktor\u00e9 boli ve\u013emi d\u00f4le\u017eit\u00e9 pre cel\u00fa renesanciu a nesk\u00f4r boli uplat\u0148ovan\u00e9 aj v neskor\u0161\u00edch obdobiach. Filippo Brunelleschi, ktor\u00fd u\u017e v roku 1409 pracoval na stavbe florentskej katedr\u00e1ly, sa v roku 1418 z\u00fa\u010dastnil na novom konkurze, ktor\u00fd bol vyhl\u00e1sen\u00fd florentsk\u00fdm vlnen\u00fdm spolkom (Arte della Lana) a Opera del Duomo.<\/p>\n

Konkurz mal z\u00edska\u0165 vhodn\u00e9ho architekta na napl\u00e1novanie v\u00fdstavby novej kupoly. Najprv predstavil dreven\u00fd model a vyhral rovnako (ex aequo) s architektom Lorenzom Ghibertim.<\/p>\n

N\u00e1sledne v roku 1423, ke\u010f sa mu podarilo vyrie\u0161i\u0165 technick\u00e9 probl\u00e9my stavby, bol poveren\u00fd dozorom aby sa z\u00fa\u010dastnil v\u0161etk\u00fdch pr\u00e1c. Zasv\u00e4til tomu cel\u00fd svoj \u017eivot v roku 1434 sa dokon\u010dila v\u00fdstavba, v roku 1436 bola umiestnen\u00e1 lampa a v roku 1438 boli dokon\u010den\u00e9 \u0161tyri trib\u00fany.<\/p>\n

D\u00f3m Santa Maria del Fiore bol postaven\u00fd pod\u013ea projektu Arnolfa si Cambio v roku 1300 a bola roz\u0161\u00edren\u00e1 Francescom Talentim v roku 1360.<\/p>\n

Na konci 14. storo\u010dia Giovanni di Lapo Ghini pripojil osemuholnikov\u00fd tambur ktor\u00fd mal by\u0165 z\u00e1kladom na vzt\u00fd\u010denie novej kupoly s priemerom 41,5 metra: z poh\u013eadu vtedaj\u0161\u00edch poznatkov to bol nepredstavite\u013en\u00fd cie\u013e. Prv\u00fd probl\u00e9m, ktor\u00e9mu Brunelleschi musel \u010deli\u0165 bol ten technick\u00fd: toto obrovsk\u00e9 zastre\u0161enie by po\u017eadovalo most\u00edky spo\u010d\u00edvaj\u00face v zemi a stovky tr\u00e1mov na podporu kupoly, a\u017e po\u00a0 polo\u017eenie svorn\u00edka, no malo to vysok\u00fa cenu a\u00a0 ne\u00fanosn\u00e9 \u0165a\u017ekosti.<\/p>\n

\u010cierny mor v roku 1348 nesk\u00f4r sp\u00f4sobil preru\u0161enie transportu surov\u00edn potrebn\u00fdch pre v\u00fdstavbu. Snaha bola s\u00fastreden\u00e1 na n\u00e1jdenie estetickej podoby, ktor\u00e1 by pasovala na u\u017e existuj\u00facu budovu a ktor\u00e1 by vyzdvihla D\u00f3mu vidite\u013enos\u0165 vo vz\u0165ahu k cel\u00e9mu mestsk\u00e9mu priestoru.<\/p>\n

Brunelleschimu sa podarilo nielen dohliada\u0165 na technicko-prev\u00e1dzkov\u00fd moment, ale aj vykon\u00e1va\u0165 dizajnov\u00fa funkciu doladen\u00edm kon\u0161trukcie budovy a syst\u00e9mu le\u0161enia a taktie\u017e strojov schopn\u00fdch optimalizova\u0165 \u00fasilie.<\/p>\n

V\u010faka nemu sa postavenie architekta v spolo\u010dnosti vyvinulo z jednoduch\u00e9ho \u201emechanick\u00e9ho umenia\u201c na titul skuto\u010dn\u00e9ho intelektu\u00e1la, interpreta \u201eliber\u00e1lneho umenia\u201c, alebo aj z majstra stavite\u013ea na skuto\u010dn\u00e9ho dizajn\u00e9ra.<\/p>\n

Vedel efekt\u00edvne zorganizova\u0165 stavenisko schopn\u00e9 reagova\u0165 na potreby r\u00f4znych f\u00e1z v\u00fdstavby.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ custom_margin=“-35px|||||“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Vytvoril mimoriadny syst\u00e9m dvojit\u00fdch \u0161picat\u00fdch obl\u00fakov\u00fdch kupol tvoren\u00fdch na vonkaj\u0161ej strane 8 bielymi mramorov\u00fdmi rebrami, medzi ktor\u00fdmi sa tiahne 8 plachiet pokryt\u00fdch terakotov\u00fdmi tehlami. Rebr\u00e1 maj\u00fa schopnos\u0165 vylo\u017ei\u0165 z\u00e1va\u017eie priamo na osemhrann\u00fd bubon na z\u00e1kladni. Vn\u00fatorn\u00e1 kupola, men\u0161ia a robustnej\u0161ia, je poveren\u00e1 \u00falohou podopiera\u0165 vonkaj\u0161iu, ktorej poskytuje medzi\u013eahl\u00e9 podpery. Tento syst\u00e9m sp\u00f4sobuje, \u017ee sa plachty navz\u00e1jom podopieraj\u00fa a z\u00e1rove\u0148 s\u00fa samonosn\u00e9 v\u010faka \u0161peci\u00e1lnemu usporiadaniu kociek umiestnen\u00fdch do vzoru rybej kosti. Medzi oboma uz\u00e1vermi prebieha aj dutina, t. j. priestor, ktor\u00fd, uzatv\u00e1raj\u00fac v sebe prepojen\u00fd syst\u00e9m schod\u00edsk a chodieb, siaha a\u017e k podlahe, na ktorej je umiestnen\u00fd lamp\u00e1\u0161.<\/p>\n

V\u010faka majest\u00e1tnemu talentu svojho architekta sa zd\u00e1, \u017ee kupola levituje smerom nahor, je naf\u00faknut\u00e1 a \u013eahk\u00e1, a\u017e tak, \u017ee pod\u013ea Vasariho,,hory okolo Florencie vyzeraj\u00fa podobne ako ona“. Napriek mnoh\u00fdm pr\u00edtomn\u00fdm architektonick\u00fdm prvkom je Brunelleschiho Ve\u013ek\u00fd stroj“, ako ho definoval Michelangelo, nepretr\u017eit\u00fdm dielom vo svojom murive a op\u00edsan\u00fd harm\u00f3niou \u00fa\u010dinnou tak, aby stredovek\u00fd \u010dlovek pochopil vzne\u0161enos\u0165 a novos\u0165 \u00e9ry, ktor\u00e1 \u00faplne zmen\u00ed perspekt\u00edvu, s ktorou poh\u013ead a inteligencia bud\u00fa h\u013eadie\u0165 na realitu.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Firenze-S.Maria-del-Fiore-02-bis.jpg“ title_text=“Firenze S.Maria del Fiore 02 bis“ _builder_version=“4.18.0″ _module_preset=“default“ custom_padding=“|0px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Firenze-Museo-Opera-Duomo-36.jpg“ title_text=“Firenze Museo Opera Duomo 36″ _builder_version=“4.18.0″ _module_preset=“default“ custom_margin=“||18px|||“ custom_padding=“||0px|0px||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Firenze-Museo-Opera-Duomo-32.jpg“ title_text=“Firenze Museo Opera Duomo 32″ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Firenze-S.Maria-del-Fiore-07-bis.jpg“ title_text=“Firenze S.Maria del Fiore 07 bis“ _builder_version=“4.18.0″ _module_preset=“default“ custom_margin=“||-54px|||“ custom_padding=“||0px|0px||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Mission“ _builder_version=“4.18.0″ background_color=“#f7f7f7″ custom_margin=“||-209px|||“ custom_padding=“40px||||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Masacciova Sv\u00e4t\u00e1 Trojica<\/u><\/strong><\/p>\n

Masaccio fresku zn\u00e1zor\u0148uj\u00facu Sv\u00e4t\u00fa Trojicu, ktor\u00e1 sa nach\u00e1dza na \u013eavej stene chr\u00e1movej lode vo florentskej Bazilike Santa Maria Novella, nama\u013eoval medzi rokmi 1425 a\u017e 1426.<\/p>\n

Je pova\u017eovan\u00e1 za jednu z malieb najlep\u0161ie zachyt\u00e1vaj\u00facich obdobie talianskej renesancie.<\/p>\n

Jej kompoz\u00edcia je tak dokonalou synt\u00e9zou ma\u013eby, soch\u00e1rstva a architekt\u00fary, \u017ee div\u00e1kovi sa jav\u00ed nielen ako nama\u013eovan\u00e1 ale ako skuto\u010dne postaven\u00e1 do priestoru za stenou baziliky.<\/p>\n

Do tejto jedine\u010dnej priestorovej il\u00fazie sa podarilo autorovi skry\u0165 siln\u00fd odkaz na svet klasikov: od valenej klenby s lunetami, cez okr\u00fahle obl\u00faky a piliere s korintsk\u00fdmi korunami a\u017e po entablat\u00faru s ozbodn\u00fdmi ornamentami.<\/p>\n

Na z\u00e1klade podobnosti tejto ma\u013eby s dielami Filippa Brunelleschiho, sa niektor\u00ed historici zhoduj\u00fa pr\u00e1ve na jeho kontrub\u00facii ku grafick\u00e9mu spracovaniu alebo k samotn\u00e9mu obrazov\u00e9mu n\u00e1vrhu priestorov\u00e9ho klamu ma\u013eby.<\/p>\n

D\u00f4kazy by bolo mo\u017en\u00e9 h\u013eada\u0165 aj na ma\u013eovanom kr\u00ed\u017ei s Kristom v porovnan\u00ed s \u010drtami Brunelleschiho Krista, ktor\u00fd sa rovnako nach\u00e1dza v Bazilike Santa Maria Novella.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Firenze-Santa-Maria-Novella-08.jpg“ title_text=“Firenze Santa Maria Novella 08″ _builder_version=“4.18.0″ _module_preset=“default“ custom_margin=“|||79px||“ hover_enabled=“0″ global_colors_info=“{}“ custom_margin_last_edited=“on|phone“ custom_margin_tablet=“|||0px|false|false“ sticky_enabled=“0″ custom_margin_phone=“|||0px|false|false“][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ min_height=“475px“ custom_margin=“-31px|||||“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Pred Masacciovou freskou je poh\u013ead div\u00e1ka veden\u00fd zdola nahor v sekvencii, ktor\u00e1 postupne smeruje od t\u00e9my smrti k ve\u010dnej sp\u00e1se. V popred\u00ed je sarkof\u00e1g, na ktorom spo\u010d\u00edva kostra nes\u00faca napomenutie, U\u017d SOM BOL T\u00ddM \u010c\u00cdM STE VY A T\u00ddM \u010c\u00cdM E\u0160TE BUDETE, \u00favaha o neod\u0161kriepite\u013enosti smrti, ale aj o istote svedectva Zm\u0155tvychvstal\u00fdch. Kristus.<\/p>\n

V pozad\u00ed nasleduj\u00fa postavy patr\u00f3nov, ktor\u00e9 k\u013ea\u010dia v modlitbe: vz\u00fdvaj\u00fa na pr\u00edhovor sv\u00e4t\u00fdch, sv\u00e4t\u00e9ho J\u00e1na Evanjelistu a Pannu M\u00e1riu: Panna M\u00e1ria ukazuje na ukri\u017eovan\u00e9ho Je\u017ei\u0161a a h\u013ead\u00ed priamo na veriacich, ktor\u00ed sa bl\u00ed\u017eia k tajomstvu sp\u00e1sy, a st\u00e1va sa prostredn\u00edkom pre jeho znovuzjednotenie s Bohom.<\/p>\n

Napokon v strede kompoz\u00edcie n\u00e1jdeme postavy Trojice, Otca, Syna a Ducha Sv\u00e4t\u00e9ho, usporiadan\u00e9 pod\u013ea ikonografick\u00e9ho modelu nazvan\u00e9ho \u201eTr\u00f3n milosti\u201c, s Otec podopiera telo Kristovo. Toto je u\u017e tajomstvo zm\u0155tvychvstania \u013eudu veriacich zhroma\u017eden\u00fdch v Jeho Cirkvi.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“About“ _builder_version=“4.18.0″ custom_padding=“40px||40px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_row _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ header_text_align=“left“ header_2_text_align=“left“ header_2_font_size=“36px“ header_2_line_height=“1.1em“ custom_margin=“-103px||10px||false|false“ custom_padding=“||0px||false|false“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“30px“ header_2_font_size_last_edited=“on|tablet“ locked=“off“ global_colors_info=“{}“]<\/p>\n

NOV\u00c9 Z\u00c1MKY<\/span><\/h2>\n

[\/et_pb_text][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

NOV\u00c9 Z\u00c1MKY<\/strong> s\u00fa mesto na juhoz\u00e1padnom Slovensku, ktor\u00e9 sa nach\u00e1dza pozd\u013a\u017e rieky Nitry, vzniklo s cie\u013eom reagova\u0165 na rast\u00facu osmansk\u00fa hrozbu.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

V roku 1545, v \u010dase arcibiskupa Pavla V\u00e1rdaiho, sa zrodila prv\u00e1 osada: bol to jednoduch\u00fd palis\u00e1dov\u00fd hrad so \u0161tyrmi ba\u0161tami, ktor\u00e9 o nie\u010do nesk\u00f4r opevnil arcibiskup Mikul\u00e1\u0161 Olah a premenoval ho na „Castrum Novum“. Nesk\u00f4r to bol Ol\u00e1h\u00fajv\u00e1r (Nov\u00fd hrad Olaha).<\/p>\n

V tom \u010dase to bola jedna z najmodernej\u0161\u00edch pevnost\u00ed v Eur\u00f3pe. V rokoch 1576 a\u017e 1580 Uhorsk\u00e9 kr\u00e1\u013eovstvo vypracovalo pl\u00e1n pevnosti v \u0161es\u0165uholn\u00edkovom tvare v s\u00falade s nov\u00fdmi stavebn\u00fdmi modelmi, ktor\u00e9 sa \u0161\u00edrili v Eur\u00f3pe.<\/p>\n

Druh\u00e1 renesan\u010dn\u00e1 pevnos\u0165 mesta bola postaven\u00e1 v ba\u017einatom ter\u00e9ne na pravom brehu rieky Nitry v rokoch 1573 a\u017e 1580.<\/p>\n

Navrhli ju talianski architekti Ottavio a Giulio Baldigari ako \u0161es\u0165uholn\u00edkov\u00fa stavbu so \u0161iestimi ba\u0161tami na vrchole a \u010fal\u0161\u00edmi mohutn\u00fdmi jednolo\u010fov\u00fdmi ba\u0161tami pre delostrelectvo, dvoma vchodmi a zlo\u017eit\u00fdm syst\u00e9mom tunelov v podzem\u00ed.<\/p>\n

M\u00fary boli po celom obvode obohnan\u00e9 \u0161irokou priekopou napojenou na rieku Nitra.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Bratislava-mura-02.jpg“ title_text=“Bratislava mura 02″ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Bratislava-San-Martino-12.jpg“ title_text=“Bratislava San Martino 12″ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Mission“ _builder_version=“4.18.0″ background_color=“#f7f7f7″ custom_padding=“40px||||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Bratislava-Castello-01.jpg“ title_text=“Bratislava Castello 01″ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Bratislava-San-Martino-19.jpg“ title_text=“Bratislava San Martino 19″ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Nov\u00e9 opevnenie sa stalo najmodernej\u0161ou renesan\u010dnou pevnos\u0165ou svojej doby a Nov\u00e9 Z\u00e1mky prv\u00fdm centrom protitureckej obrany na z\u00e1padnom Slovensku na prelome \u0161estn\u00e1steho a sedemn\u00e1steho storo\u010dia.<\/p>\n

Po p\u00e1de pevnosti Nov\u00e9 Z\u00e1mky, dobytej po\u010das ofenz\u00edvy Osmanskej r\u00ed\u0161e 26. septembra 1663, nasledovala v\u00fdstavba pevnosti Leopoldov v rokoch 1665 a\u017e 1669, ktor\u00fa navrhol architekt L. de Souches a postavili ju vojensk\u00ed in\u017einieri J\u00e1n Melicher a Jan Ungern s t\u00edmom s 3000 pracovn\u00edkmi z Bavorska a Moravy.<\/p>\n

Postaven\u00fd v renesan\u010dnom \u0161t\u00fdle a vybaven\u00fd najlep\u0161ou vojenskou obranou tej doby, m\u00e1 p\u00e4\u0165c\u00edpy hviezdicov\u00fd pl\u00e1n spojen\u00fd ravel\u00ednmi a obklopen\u00fd \u0161irokou priekopou.<\/p>\n

Rozprestiera sa na ploche 56 hekt\u00e1rov a obrann\u00e9 m\u00fary s\u00fa vysok\u00e9 9,5 metra. Pevnos\u0165 bola v roku 1855 premenen\u00e1 na v\u00e4zenie a v roku 1856 prijala svojich prv\u00fdch v\u00e4z\u0148ov.<\/p>\n

Presl\u00e1vila sa po febru\u00e1rovej revol\u00facii, ke\u010f \u010desko-slovensk\u00e1 komunistick\u00e1 vl\u00e1da uv\u00e4znila a zlikvidovala politick\u00fdch v\u00e4z\u0148ov.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Inteligentnos\u0165 v dieleVz\u0165ah medzi te\u00f3riou a praxouV\u010faka svojej inteligencii a \u013eudsk\u00e9mu uvedomeniu sa renesan\u010dn\u00fd \u010dlovek objavuje ako hlavn\u00fd hrdina a z\u00e1stanca dovtedy nev\u00eddan\u00fdch diel. \u0160tudujte harm\u00f3niu reality a vracia nie\u010do ve\u013ekolep\u00e9, nie\u010do schopn\u00e9 dotkn\u00fa\u0165 sa neba. Vytv\u00e1ra sa ve\u013emi siln\u00e9 spojenie medzi malos\u0165ou \u010dloveka a nesmiernos\u0165ou, ktorej je schopn\u00fd da\u0165 \u017eivot: h\u013ead\u00e1 inov\u00e1ciu v sebe […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-434","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages\/434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/comments?post=434"}],"version-history":[{"count":12,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages\/434\/revisions"}],"predecessor-version":[{"id":908,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages\/434\/revisions\/908"}],"wp:attachment":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/media?parent=434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}