{"id":430,"date":"2022-11-19T17:04:22","date_gmt":"2022-11-19T17:04:22","guid":{"rendered":"https:\/\/www.renaissancebridge.com\/la-passione-per-il-mondo-antico\/"},"modified":"2022-11-23T10:10:03","modified_gmt":"2022-11-23T10:10:03","slug":"la-passione-per-il-mondo-antico","status":"publish","type":"page","link":"https:\/\/www.renaissancebridge.com\/cs\/la-passione-per-il-mondo-antico\/","title":{"rendered":"V\u00e1\u0161e\u0148 pre starovek\u00fd svet"},"content":{"rendered":"

[et_pb_section fb_built=“1″ admin_label=“Header“ _builder_version=“4.18.0″ background_color=“gcid-e6f76045-68bd-4f05-b97b-aaccfb770e62″ custom_padding=“50px||50px||true|false“ locked=“off“ global_colors_info=“{%22gcid-e6f76045-68bd-4f05-b97b-aaccfb770e62%22:%91%22background_color%22%93}“][et_pb_row _builder_version=“4.16″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ header_font=“Neo sans||||||||“ header_text_color=“#FFFFFF“ header_font_size=“60px“ custom_margin=“||0px||false|false“ custom_padding=“||0px||false|false“ header_font_size_tablet=“50px“ header_font_size_phone=“40px“ header_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

V\u00e1\u0161e\u0148 pre starovek\u00fd svet<\/h1>\n

[\/et_pb_text][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_3_font=“|700|||||||“ header_3_text_color=“#FFFFFF“ header_3_line_height=“1.5em“ custom_margin=“10px||||false|false“ text_line_height_tablet=““ text_line_height_phone=“1.6em“ text_line_height_last_edited=“on|phone“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

a konfront\u00e1cia s velik\u00e1nmi hist\u00f3rie<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“About“ _builder_version=“4.18.0″ custom_padding=“40px||40px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Chr\u00e1m Malatesta<\/strong> v Rimini stoj\u00ed na mieste starobyl\u00e9ho franti\u0161k\u00e1nskeho kostola s jedinou s\u00e1lou, teda bez transeptu.<\/p>\n

Interi\u00e9r budovy bol renovovan\u00fd od roku 1447 pod veden\u00edm architekta Mattea de ‚Pastiho<\/strong> a florentsk\u00e9ho soch\u00e1ra Agostina di Duccia<\/strong> na pr\u00edkaz Sigismonda Malatestu<\/strong>, p\u00e1na z Rimini, ktor\u00fd chcel premeni\u0165 baziliku na svoje s\u00fakromn\u00e9 \u200b\u200bmauz\u00f3leum.<\/p>\n

Vo vn\u00fatri chr\u00e1mu, v kaplnke San Sigismondo, skuto\u010dne n\u00e1jdeme sl\u00e1vnu fresku od Piera della Francesca zobrazuj\u00facu Sigismonda Pandolfa Malatestu pri modlitbe pred sv\u00e4t\u00fdm \u017digmundom, kr\u00e1\u013eom Burgundov a jeho ochrancom (1451).<\/p>\n

\u010crty sv\u00e4tca a osobitn\u00fd klob\u00fak (nad ktor\u00fdm je v perspekt\u00edve skr\u00e1ten\u00e1 sv\u00e4to\u017eiara) pripom\u00ednaj\u00fa \u010drty \u017digmunda Luxembursk\u00e9ho, cis\u00e1ra, ktor\u00fd v roku 1433 udelil Malatestovi titul rytiera a legitimizoval t\u00fdm jeho dynastick\u00e9 n\u00e1stupn\u00edctvo, \u010d\u00edm mu dal moc nad Rimini.<\/p>\n

Najviac v\u0161ak chceme zamera\u0165 na\u0161u pozornos\u0165 na vonkaj\u0161iu architekt\u00faru, kde n\u00e1jdeme ruku Leona Battistu Albertiho.<\/p>\n

Alberti navrhol kamenn\u00fd obklad \u00faplne nov\u00e9ho konceptu a \u00faplne nez\u00e1visl\u00fd od budovy, ke\u010f\u017ee sa formovala vo svojej vn\u00fatornej \u010dasti (pr\u00e1ce za\u010dali za\u010diatkom p\u00e4\u0165desiatych rokov p\u00e4tn\u00e1steho storo\u010dia).<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Rimini-Tempio-Malatestiano-30-bis.jpg“ title_text=“Rimini Tempio Malatestiano 30 bis“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Rimini-Tempio-Malatestiano-14-bis.jpg“ title_text=“Rimini Tempio Malatestiano 14 bis“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Mission“ _builder_version=“4.18.0″ background_color=“#f7f7f7″ custom_padding=“40px||||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Rimini-Museo-della-Citta-Luigi-Tonini-151-bis.jpg“ title_text=“Rimini Museo della Citt\u00e0 Luigi Tonini 151 bis“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Fas\u00e1da je tvoren\u00e1 dvoma jasne rozdelen\u00fdmi r\u00e1dmi: prv\u00e1, na vysokom sokli, je rozdelen\u00e1 polst\u013apmi, ktor\u00e9 r\u00e1muj\u00fa tri obl\u00faky, p\u00f4vodne navrhnut\u00e9 v\u0161etky rovnako hlbok\u00e9 a in\u0161pirovan\u00e9 r\u00edmskou cis\u00e1rskou architekt\u00farou, najm\u00e4 obl\u00fakom z Rimini Augusta.<\/p>\n

Horn\u00fd r\u00e1d je nedokon\u010den\u00fd, ale presn\u00fa predstavu n\u00e1m d\u00e1va medaila, ktor\u00fa razil Matteo de ‚Pasti: fas\u00e1da mala by\u0165 ukon\u010den\u00e1 ve\u013ek\u00fdm pln\u00fdm stredov\u00fdm obl\u00fakom s trojsvetl\u00fdm oknom, lemovan\u00fdmi trojuholn\u00edkov\u00fdmi vyv\u00fd\u0161eninami zdoben\u00fdmi na vrchu dvoma vol\u00fatami, ktor\u00e9 ho spojili s ni\u017e\u0161\u00edm r\u00e1dom. \u010ealej sa na dlhom v lyse fas\u00e1dy nach\u00e1dza tento latinsk\u00fd n\u00e1pis: \u201eSIGISMVNDVS PANDVLFVS MALATESTA PANDVLFI FECIT ANNO GRATIAE MCCCCL\u201c.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Odkaz na minulos\u0165 je ve\u013emi siln\u00fd: sta\u010d\u00ed sa pozrie\u0165 na fas\u00e1du, aby ste si uvedomili, \u017ee prvkov spolo\u010dn\u00fdch s r\u00edmskou architekt\u00farou je nespo\u010detn\u00e9 mno\u017estvo a je to v\u00fdsledok siln\u00e9ho tlaku renesancie pri prehodnocovan\u00ed a \u0161t\u00fadiu antick\u00e9ho dedi\u010dstva. Nezd\u00e1 sa, \u017ee by Alberti niekedy nav\u0161t\u00edvil stavenisko, kde sa realizoval jeho projekt,i ke\u010f to bola jeho prv\u00e1 n\u00e1ro\u010dn\u00e1 pr\u00e1ca, aj ke\u010f s \u0165a\u017ekos\u0165ami. Zd\u00e1 sa, \u017ee budova v Rimini je overen\u00edm, praktick\u00fdm experimentovan\u00edm te\u00f3ri\u00ed formulovan\u00fdch alebo st\u00e1le formulovan\u00fdch v trakt\u00e1te \u201eDe Re Aedificatoria\u201c: Pokia\u013e ide o celkov\u00fa koncepciu budovy a jej vonkaj\u0161\u00ed vzh\u013ead, ako aj o vn\u00fatorn\u00fd dekorat\u00edvna \u0161trukt\u00fara, napr\u00edklad v uprednost\u0148ovan\u00ed mramorov\u00fdch obkladov a pri vyl\u00fa\u010den\u00ed freskov\u00fdch cyklov, ktor\u00e9 sa p\u00f4vodne predpokladali, pravdepodobne mohol Piero della Francesca, ktor\u00fd ich u\u017e viedol .<\/p>\n

T\u00e1to vo\u013eba bola uroben\u00e1 s cie\u013eom odkloni\u0165 sa od neskorogotickej trad\u00edcie a prija\u0165 nov\u00fd kon\u0161trukt\u00edvny a dekorat\u00edvny sp\u00f4sob.<\/p>\n

Chr\u00e1m nebol nikdy dokon\u010den\u00fd kv\u00f4li pred\u010dasnej smrti svojho p\u00e1na. D\u00e1 sa definova\u0165 ako sen, preru\u0161en\u00fd sen: Sigismonda, ktor\u00fd z nej chcel urobi\u0165 \u00fa\u017easn\u00fa budovu zasv\u00e4ten\u00fa \u201enesmrte\u013en\u00e9mu Bohu a mestu\u201c, a tak da\u0165 sl\u00e1vu a sl\u00e1vu sebe a svojej rodine a Albertimu, ktor\u00fd chcel urobi\u0165 z neho pomn\u00edk na vyzdvihnutie intelektu\u00e1lnej u\u0161\u013eachtilosti \u010dloveka a humanizmu. Chr\u00e1m Malatesta v istom zmysle svojou form\u00e1lnou nejednotnos\u0165ou a vycibren\u00fdm intelektualizmom, ako aj vlastnou ne\u00faplnos\u0165ou \u201ezhmotn\u00ed\u201c kr\u00edzu humanistickej civiliz\u00e1cie, jej vn\u00fatorn\u00e9 nezhody, neschopnos\u0165 vymani\u0165 sa z uzavret\u00e9ho sveta s\u00fadov.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Rimini-Tempio-Malatestiano-23-bis.jpg“ title_text=“Rimini Tempio Malatestiano 23 bis“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Rimini-Tempio-Malatestiano-19-bis.jpg“ title_text=“Rimini Tempio Malatestiano 19 bis“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“About“ _builder_version=“4.18.0″ custom_padding=“40px||40px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_row _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ header_text_align=“left“ header_2_text_align=“left“ header_2_font_size=“36px“ header_2_line_height=“1.1em“ custom_margin=“||10px||false|false“ custom_padding=“||0px||false|false“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“30px“ header_2_font_size_last_edited=“on|tablet“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Univerzita Istropolitana<\/span><\/h2>\n

[\/et_pb_text][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Univerzita Istropolitana, mylne naz\u00fdvan\u00e1 Akad\u00e9mia Istropolitany, je tre\u0165ou vysokou \u0161kolou v Uhorskom kr\u00e1\u013eovstve a prvou zrodenou na \u00fazem\u00ed dne\u0161n\u00e9ho Slovenska. Slovo \u201eIstropolitan\u201c poch\u00e1dza zo starogr\u00e9ckeho n\u00e1zvu Bratislavy Istropolis, \u010do znamen\u00e1 \u201eMesto na Dunaji\u201c. Zalo\u017eil ho v roku 1465 p\u00e1pe\u017e Pavol II. (pontifik\u00e1t 1464-1471) na \u017eiados\u0165 uhorsk\u00e9ho kr\u00e1\u013ea Mattia Corvina (v \u00farade 1458-1490).<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ custom_margin=“-12px|auto||auto||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Napriek svojej kr\u00e1tkej existencii (1465\u20131491) zauj\u00edma popredn\u00e9 miesto v slovenskej historiografii.<\/p>\n

V m\u00faroch tejto univerzity sa \u0161tudentom, synom \u0161\u013eachticov, bur\u017eo\u00e1zom a ve\u013ek\u00fdm obchodn\u00edkom pon\u00fakalo najprv vyu\u010dovanie teol\u00f3gie a n\u00e1sledne \u0161t\u00fadium medic\u00edny a umenia.<\/p>\n

T\u00e1to \u017eiv\u00e1 realita hostila u\u010dite\u013eov z Rak\u00faska a Talianska a ur\u010dila\u00a0 sa ako jedna z najpr\u00edkladnej\u0161\u00edch centier \u0161\u00edrenia modern\u00e9ho humanistick\u00e9ho myslenia.<\/p>\n

Z najv\u00fdraznej\u0161\u00edch osobnost\u00ed si pam\u00e4t\u00e1me Johannesa M\u00fcllera z K\u00f6nigsbergu<\/strong> (1436-1476), zn\u00e1meho aj pod pseudonymom Regiomontano, nemeck\u00e9ho matematika, astron\u00f3ma a astrol\u00f3ga, autora De Triangulis omnimodis<\/em> (jeden z prv\u00fdch trigonometrick\u00fdch trakt\u00e1tov dokon\u010den\u00fd v roku 1464, ale vytla\u010den\u00fd v r. 1533) a Epytoma v Almagesti Ptolemei<\/em> (kritick\u00e9 vydanie Ptolemaiovho Almagestu, vytla\u010den\u00e9 v roku 1496).<\/p>\n

Od roku 1467 bol v slu\u017eb\u00e1ch Mattia Korv\u00edna<\/strong> a u\u010dil tu na liter\u00e1rnej fakulte asi \u0161tyri roky.<\/p>\n

Univerzita Istropolitana zanikla okolo roku 1490 po smrti Mateja Korv\u00edna a potom vzkriesila ako \u201eUniverzita Nov\u00e1 Istropolitana\u201c, ktor\u00e1 v s\u00fa\u010dasnosti s\u00eddli na novom mieste v Bratislave.<\/p>\n

Star\u00e1 budova univerzity dnes \u0161kol\u00ed mlad\u00fdch divadeln\u00edkov V\u0160MU, preto sa dodnes nespr\u00e1vne naz\u00fdva Akad\u00e9mia.<\/p>\n

Star\u00e1 in\u0161tit\u00facia je dodnes zn\u00e1ma ako jedna zo siedmich najv\u00fdznamnej\u0161\u00edch a najfascinuj\u00facej\u0161\u00edch pamiatok Bratislavy nato\u013eko, \u017ee sa pou\u017e\u00edvala ako symbolick\u00e1 pamiatka Slovenska v minciach.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Bratislava-Accademia-Istropolitana-02-bis.jpg“ title_text=“Bratislava Accademia Istropolitana 02 bis“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Johannes-Muller-da-Konigsberg-Regiomontanus-bis.jpg“ title_text=“Johannes M\u00fcller da K\u00f6nigsberg – Regiomontanus – bis“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Mission“ _builder_version=“4.18.0″ background_color=“#f7f7f7″ custom_padding=“40px||||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Mattia_Corvino_re_di_Boemia_Croazia_e_Ungheria-bis.jpg“ title_text=“nome file uguale segnatura“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Bratislava-Accademia-Istropolitana-03-bis.jpg“ title_text=“Bratislava Accademia Istropolitana 03 bis“ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

V\u00e1\u0161e\u0148 pre starovek\u00fd sveta konfront\u00e1cia s velik\u00e1nmi hist\u00f3rieChr\u00e1m Malatesta v Rimini stoj\u00ed na mieste starobyl\u00e9ho franti\u0161k\u00e1nskeho kostola s jedinou s\u00e1lou, teda bez transeptu. Interi\u00e9r budovy bol renovovan\u00fd od roku 1447 pod veden\u00edm architekta Mattea de ‚Pastiho a florentsk\u00e9ho soch\u00e1ra Agostina di Duccia na pr\u00edkaz Sigismonda Malatestu, p\u00e1na z Rimini, ktor\u00fd chcel premeni\u0165 baziliku na svoje […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-430","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages\/430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/comments?post=430"}],"version-history":[{"count":6,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages\/430\/revisions"}],"predecessor-version":[{"id":643,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages\/430\/revisions\/643"}],"wp:attachment":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/media?parent=430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}