{"id":424,"date":"2022-11-19T08:40:08","date_gmt":"2022-11-19T08:40:08","guid":{"rendered":"https:\/\/www.renaissancebridge.com\/alla-ricerca-della-bellezza-tra-proporzione-e-armonia\/"},"modified":"2022-12-14T11:10:57","modified_gmt":"2022-12-14T11:10:57","slug":"alla-ricerca-della-bellezza-tra-proporzione-e-armonia","status":"publish","type":"page","link":"https:\/\/www.renaissancebridge.com\/cs\/alla-ricerca-della-bellezza-tra-proporzione-e-armonia\/","title":{"rendered":"Pri h\u013eadan\u00ed kr\u00e1sy medzi proporciou a harm\u00f3niou"},"content":{"rendered":"

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Pri h\u013eadan\u00ed kr\u00e1sy<\/h1>\n

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medzi proporciou a harm\u00f3niou<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“About“ _builder_version=“4.18.0″ custom_padding=“40px||40px||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_row _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.18.0″ text_font=“||||||||“ text_line_height=“2em“ header_font=“||||||||“ header_2_font=“Abril Fatface||||||||“ header_2_font_size=“56px“ header_2_line_height=“1.1em“ text_line_height_tablet=““ text_line_height_phone=“1.8em“ text_line_height_last_edited=“on|phone“ header_2_font_size_tablet=“36px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Mnoho n\u00e1v\u0161tevn\u00edkov, ktor\u00ed prich\u00e1dzaj\u00fa do Florencie vlakom na sl\u00e1vnej \u017eelezni\u010dnej stanici, ktor\u00fa navrhol Giovanni Michelucci, okam\u017eite pri\u0165ahuje pr\u00edtomnos\u0165 jedn\u00e9ho z najzn\u00e1mej\u0161\u00edch kostolov vo Florencii: kostol Santa Maria Novella<\/strong>, miesto dominik\u00e1nskeho r\u00e1du, ktor\u00fd spolu s franti\u0161k\u00e1nskym r\u00e1dom ne\u010falek\u00e9ho kostola Santa Croce tvoril od 13. storo\u010dia oporn\u00fd bod duchovnej a kult\u00farnej obnovy mesta. S pr\u00edtomnos\u0165ou nov\u00fdch \u017eobrav\u00fdch r\u00e1dov sa n\u00e1mestia Santa Maria Novella a Santa Croce \u010doskoro stali miestami k\u00e1zan\u00ed a stretnut\u00ed obyvate\u013estva; na druhej strane kostoly potvrdili svoju funkciu ako miesta pr\u00edstupu ku kult\u00fare a \u0161t\u00fadiu, pri\u010dom osobitn\u00fa pozornos\u0165 venovali potreb\u00e1m najskromnej\u0161\u00edch vrstiev.<\/span><\/p>\n

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Santa Maria Novella<\/strong> je dnes pokladnicou niektor\u00fdch z najv\u00fdznamnej\u0161\u00edch svedectiev florentskej renesancie, v ktorej s\u00fa zhroma\u017e\u010fovan\u00e9 diela umelcov ako Brunelleschi<\/strong>, Masaccio<\/strong> a Paolo Uccello<\/strong>.<\/span><\/p>\n

O rekon\u0161trukciu fas\u00e1dy kostola sa zasl\u00fa\u017eil Leon Battista Alberti<\/strong> (1404-1472), jeden z najzn\u00e1mej\u0161\u00edch architektov a teoretikov umenia 15. storo\u010dia. Alberti steles\u0148uje postavu umelca-intelektu\u00e1la, odhodlan\u00e9ho pon\u00faka\u0165 svoje slu\u017eby vysokopostaven\u00fdm a aristokratick\u00fdm klientom. <\/span><\/p>\n

Na objedn\u00e1vku rodiny Rucellai Alberti sa zaoberal moderniz\u00e1ciou u\u017e existuj\u00facej gotickej fas\u00e1dy, integrovan\u00edm star\u00fdch sch\u00e9m s novinkami renesan\u010dn\u00e9ho architektonick\u00e9ho jazyka. Alberti navrhol najm\u00e4 ve\u013ek\u00fd centr\u00e1lny port\u00e1l, emtablat\u00faru a navrhol horn\u00e9 dokon\u010denie fas\u00e1dy, dokon\u010den\u00e9 v 70. rokoch 19. storo\u010dia. <\/span><\/p>\n

Geometrick\u00e9 obrazce sa opakuj\u00fa, striedaj\u00fa v kompoz\u00edcii, ktor\u00e1 je v\u017edy harmonick\u00e1 a vyv\u00e1\u017een\u00e1 vo v\u0161etk\u00fdch svojich \u010dastiach. Odkaz na antick\u00e9 ,architektonick\u00e9 modely je st\u00e1ly: mo\u017eno ho jednozna\u010dne vidie\u0165 v hornej \u010dasti fas\u00e1dy, postavenej ako skuto\u010dn\u00fd klasick\u00fd chr\u00e1m.<\/span><\/p>\n

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Koniec koncov, to, \u010do Alberti vytvoril v Santa Maria Novella, u\u017e na\u0161lo teoretick\u00fa formul\u00e1ciu v jeho De Re Aedificatoria<\/strong> (1452), prvom modernom pojednan\u00ed venovanom architekt\u00fare a in\u0161pirovan\u00e9mu Vitruviov\u00fdm De Architettura (1. storo\u010die pred Kristom). Alberti tu p\u00ed\u0161e o pravidl\u00e1ch, ktor\u00e9 treba dodr\u017eiava\u0165 pri stavbe budovy: \u201efirmitas\u201c, to je pevnos\u0165 materi\u00e1lov a stavebn\u00fdch techn\u00edk; \u201evenustas\u201c, \u010do je kr\u00e1sa a harm\u00f3nia \u010dast\u00ed; napokon \u201eutilitas\u201c, \u010di\u017ee s\u00falad medzi formou a funkciou.<\/span><\/p>\n

V piatej knihe svojho Trakt\u00e1tu Vitruvius poznamenal, \u017ee proporcie \u013eudskej postavy sa m\u00f4\u017eu odr\u00e1\u017ea\u0165 v proporci\u00e1ch posv\u00e4tn\u00fdch budov, sna\u017eil sa uk\u00e1za\u0165, ako mo\u017eno \u010dloveka s pravidelnou postavou vp\u00edsa\u0165 do najdokonalej\u0161\u00edch geometrick\u00fdch \u00fatvarov, ako je kruh alebo n\u00e1mestie. Leonardo preber\u00e1 tieto \u00favahy o koncepte \u201eproporcie\u201c a \u201ek\u00e1nu\u201c v texte, ktor\u00fd predch\u00e1dza a nasleduje po sl\u00e1vnej kresbe Vitruviansk\u00e9ho Mu\u017ea (okolo roku 1490), ulo\u017eenej v Gal\u00e9ri\u00e1ch Akad\u00e9mie v Ben\u00e1tkach. <\/span><\/p>\n

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Leonardov mu\u017e sa riadi rovnak\u00fdmi princ\u00edpmi harm\u00f3nie a proporci\u00ed, ktor\u00e9 riadia hlbok\u00fa \u0161trukt\u00faru vesm\u00edru. \u00abVetruvio, architetto, mette nella sua opera d’architectura, chelle misure dell’omo sono dalla natura disstribuite in quessto modo cio\u00e8 che 4 diti fa 1 palmo, et 4 palmi fa 1 pie, 6 palmi fa un chubito, 4 cubiti fa 1 homo, he 4 chubiti fa 1 passo, he 24 palmi fa 1 homo ecqueste misure son ne‘ sua edifiti. Settu apri tanto le gambe chettu chali da chapo 1\/14 di tua altez(z)a e apri e alza tanto le bracia che cholle lunge dita tu tochi la linia della somita del chapo, sappi che ‚l cientro delle stremita delle aperte membra fia il bellicho. Ello spatio chessi truova infralle gambe fia triangolo equilatero\u00bb<\/em><\/p>\n

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Je zauj\u00edmav\u00e9 ako \u2013 nie na rozdiel od toho, na \u010do pouk\u00e1zal u\u017e Brunelleschi v kr\u00ed\u017ei<\/em> Santa Maria Novella \u2013 zhoda medzi mierou otvoren\u00fdch r\u00fak a v\u00fd\u0161kou tela, pojem \u201emodul\u201c, sa v tomto pr\u00edpade pridal na op\u00edsanie \u0161trukt\u00fary \u00a0renesan\u010dn\u00e9ho \u010dloveka, ktor\u00fd je preto pozdvihnut\u00fd na \u00farove\u0148 Boha. Pri poh\u013eade na vitruvi\u00e1nskeho \u010dloveka, symbol dokonalosti, si \u010dlovek kladie ot\u00e1zku: a ako vn\u00edmame sam\u00fdch seba? Naozaj existuje dokonal\u00fd mu\u017e?<\/p>\n

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BRATISLAVSK\u00dd Hrad<\/span><\/h2>\n

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Bratislavsk\u00fd hrad stoj\u00ed na skalnatom kopci s v\u00fdh\u013eadom na mesto. M\u00e1 ve\u013emi star\u00fa hist\u00f3riu. Postavili ho v 10. storo\u010d\u00ed a v 16. storo\u010d\u00ed sa stal domovom uhorsk\u00fdch kr\u00e1\u013eov (1531-1783).<\/p>\n

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Najm\u00e4 za vl\u00e1dy Ferdinanda I. Habsbursk\u00e9ho (1526-1564) pre\u017e\u00edval svoje renesan\u010dn\u00e9 obdobie: panovn\u00edk sa postaral o moderniz\u00e1ciu starej stredovekej budovy poveren\u00edm Pietra Ferrabosca (1512-1599), p\u00f4vodne maliara, stavite\u013ea a architekta.<\/p>\n

Poch\u00e1dzal z Val d ‚Intelvi (Como) a v slu\u017eb\u00e1ch rak\u00faskych Habsburgovcov bol v rokoch 1542 a\u017e 1588. Najm\u00e4 Ferrabosco zasiahol do \u0161tyroch kr\u00eddel budovy, ktor\u00e9 dal do rovnakej v\u00fd\u0161ky, rozdelil s\u00e1ly na nieko\u013eko miestnost\u00ed , upravil vzh\u013ead gotick\u00fdch okien, pri\u010dom nezasahoval do fas\u00e1d, ktor\u00e9 zachovali p\u00f4vodn\u00fd r\u00e1z s\u00eddla-pevnosti.<\/p>\n

Ferrabosco bol s najv\u00e4\u010d\u0161ou pravdepodobnos\u0165ou zodpovedn\u00fd aj za realiz\u00e1ciu fresiek s groteskami a krajinkami v talianskom \u0161t\u00fdle, ktor\u00e9 zostali v miestnosti na prvom poschod\u00ed.<\/p>\n

Za vl\u00e1dy M\u00e1rie Ter\u00e9zie sa na hrade nach\u00e1dzali kr\u00e1\u013eovsk\u00e9 zbierky, ktor\u00e9 boli nesk\u00f4r prevezen\u00e9 do viedenskej Albertiny.<\/p>\n

Dnes v \u0148om s\u00eddli Slovensk\u00e9 n\u00e1rodn\u00e9 m\u00fazeum a niektor\u00e9 jeho priestory sa vyu\u017e\u00edvaj\u00fa ako reprezentat\u00edvne priestory.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Bratislava-Castello-14.jpg“ title_text=“Bratislava Castello 14″ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Mission“ _builder_version=“4.18.0″ background_color=“#f7f7f7″ custom_padding=“40px||||false|false“ locked=“off“ global_colors_info=“{}“][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Bratislava-Castello-33.jpg“ title_text=“Bratislava Castello 33″ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Bratislava-Castello-32.jpg“ title_text=“Bratislava Castello 32″ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.18.0″ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Firenze-Palazzo-Vecchio-Bratislava-08.jpg“ title_text=“Firenze Palazzo Vecchio – Bratislava 08″ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.renaissancebridge.com\/wp-content\/uploads\/2022\/11\/Bratislava-Castello-35.jpg“ title_text=“Bratislava Castello 35″ _builder_version=“4.18.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Pri h\u013eadan\u00ed kr\u00e1symedzi proporciou a harm\u00f3niouMnoho n\u00e1v\u0161tevn\u00edkov, ktor\u00ed prich\u00e1dzaj\u00fa do Florencie vlakom na sl\u00e1vnej \u017eelezni\u010dnej stanici, ktor\u00fa navrhol Giovanni Michelucci, okam\u017eite pri\u0165ahuje pr\u00edtomnos\u0165 jedn\u00e9ho z najzn\u00e1mej\u0161\u00edch kostolov vo Florencii: kostol Santa Maria Novella, miesto dominik\u00e1nskeho r\u00e1du, ktor\u00fd spolu s franti\u0161k\u00e1nskym r\u00e1dom ne\u010falek\u00e9ho kostola Santa Croce tvoril od 13. storo\u010dia oporn\u00fd bod duchovnej a kult\u00farnej obnovy […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-424","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages\/424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/comments?post=424"}],"version-history":[{"count":5,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages\/424\/revisions"}],"predecessor-version":[{"id":904,"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/pages\/424\/revisions\/904"}],"wp:attachment":[{"href":"https:\/\/www.renaissancebridge.com\/cs\/wp-json\/wp\/v2\/media?parent=424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}